Bright green, tangy and tender, this cake is a delicious way to sing in the spring

There is a particular green that belongs to spring: pale and luminous, it’s softer than the dark foliage of winter, and quieter than the glossy abundance of summer herbs. Spinach, the colour of new growth, captures this moment perfectly. Tender and almost impossibly vivid, this cake loses its metallic edge in the heat of the oven, leaving a gentle, vegetal brightness. Baked in a shallow tin and spread with cream cheese icing, when sliced into squares, it produces the perfect ratio of cake to icing and tastes uncommonly good.

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Exclusive: women ‘massively underrepresented’ in next week’s local and devolved elections, campaigners say

Women will be massively underrepresented on ballot papers across the UK next week, campaigners say, with research revealing that almost twice as many men as women are standing as candidates across the local, mayoral and devolved elections.

Democracy campaigners say men of all political stripes are likely to dominate local government, with women’s views on issues from social care to bin collections sidelined by the huge gap between the numbers of male and female candidates.

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Exclusive: Accessories chain will be reopened in the UK by its operator in France, Austria, Portugal and Spain

The jewellery and accessories chain Claire’s is expected to return to UK high streets with about 50 stores to be reopened from June onwards by the operator of its shops in France, Austria, Portugal and Spain.

Julien Jarjoura, the French entrepreneur behind jewellery company Une Ligne, which sells online and via museum stores including the Louvre and the Palace of Versailles, said he had the blessing of the US owner of the Claire’s brand, Ames Watson, to open stores in the UK and was signing new leases with UK landlords.

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There’s more to this classic look than simply wearing your nightwear as daywear. Try it with a T-shirt or a silky bomber – and always with a slick of lipstick

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Prices at the pump have leapt since the start of the conflict – but clinging to fossil fuels will only prolong the pain

The car is perhaps the closest thing Germany has to a national symbol. For this reason, the success of the auto industry and the happiness of motorists has long been a barometer for the standing of the Federal Republic.

Since the beginning of the war on Iran, German news has been filled with stories about drivers. Journalists have filed breathless dispatches from petrol stations all over the country, reporting scenes of anger and frustration at the hike in fuel prices.

Tania Roettger is a journalist based in Berlin

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Yara CEO warns of global auction that would leave poorest countries scrambling for supplies they can ill afford

The Iran war could have “dramatic consequences”, causing food shortages and price rises in some of Africa’s poorest and most vulnerable communities, the head of the world’s largest fertiliser company has said.

Svein Tore Holsether, the chief executive of Yara International, said world leaders needed to guard against soaring prices and shortages of fertiliser causing a de facto global auction that would leave the poorest countries, particularly in Africa, scrambling for supplies they could ill afford.

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The day I was diagnosed with motor neurone disease, I knew my life would end with euthanasia

I chose to die at 44 because ALS ( motor neurone disease ) left me paralysed. I still loved my life, even to the last day.

It all started in December 2023, when I lost strength in my right arm, and my pinky finger was going in all directions. I went to see my GP and did physiotherapy because they thought it was a nerve blockage.

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Without Christine Marie, Samuel Bateman might never have been jailed for his crimes among the Mormon community of Short Creek. What drives the heroine of Netflix’s hit documentary Trust Me: The False Prophet?

When Christine Marie and her husband, Tolga Katas, packed up their lives in Las Vegas in 2016 to start from scratch in Short Creek, a remote desert town in the Arizona Strip, the odds of fitting in and finding community were surely against them. This was the headquarters of the Fundamentalist Church of Jesus Christ of Latter-Day Saints (FLDS), the secretive polygamist sect, known for its patriarchal control, where women and girls wore prairie dresses and “married” wherever they were placed by their leader. Marie, with her blond ponytail, pink cowboy hat, pink boots and pink glasses, was a former beauty queen, ventriloquist and escape artist, now finishing her psychology doctorate. Tolga, once a rock singer, was a videographer, a city dweller who had never been on a hike.

This is the starting point of the Netflix documentary Trust Me: The False Prophet – and unsurprisingly, the couple’s arrival is met with deep suspicion. What follows, though, is gripping TV, recorded as it happened, but paced like a thriller. Having gained the community’s trust, the couple discover a polygamous, predatory paedophile among them, and a situation of horrifying sexual abuse. Working with the FBI as double agents, they infiltrate this tightly knit cult and ultimately gather enough evidence to secure arrests and convictions.

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Glamour? Money? Hope? They’re so last season. With fashion magazines on their knees, where does that leave The Devil Wears Prada 2 – and its famously relatable heroine?

Runway magazine is collapsing. Miranda is eating in the cafeteria and flying economy. Andy is the new features editor. Emily is dating a billionaire. Somebody dies. Amelia Dimoldenberg makes a cameo. But the one unexpected detail in The Devil Wears Prada 2 that I can’t stop thinking about is this: Andy worries that she’ll never be in a position to unfreeze her eggs.

“Left New York for 15 years, not married – never found the right person, and my kids are at a doctor’s office on 85th,” she breezily reports to Emily when they reunite after 20 years. “They’re eggs,” she clarifies, adding that she is excited to have children. And in that moment, I couldn’t help but wonder: was the woman who once had the job “a million girls would kill for” always this relatable?

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