Michael B Jordan and Juno Temple voice indistinctive body-swap caper for kids with muddled empathy message

This March’s Pixar adventure Hoppers might not have been a vintage offering but it was a minor, much-needed victory for a studio whose magic touch had faded over time. It was a rare non-sequel that appealed to both critics (a 94% rating on Rotten Tomatoes) and audiences (with $164m it was Pixar’s biggest original hit domestically since Coco) and had just about enough of the head plus heart formula many of us had grown to love and, recently, miss.

Its success has reminded us just how it should be done right (or at least right enough) and how many, many others have failed to get even close to that place. Smarter competitors have found their own lanes – the maximalist mania of Illumination’s Minions movies, the specific, zeitgeist-y superhero stories of Sony’s KPop: Demon Hunters and Spiderverse – but there’s been a weak yet constant flow of obvious attempts to replicate what Pixar does so well. What nudges Swapped – a Skydance film once intended for Apple that now lands on Netflix – that much further into the shadow is not just how it follows the general template but how it also seems to be a closer copy of Hoppers itself. It’s more unfortunate timing than anything but it’s hard to watch without thinking briefly back with even a less memorable Pixar film seeming like a stone cold classic in comparison.

The uniqueness of Royal Ascot was a factor in the track CEO’s jump from the Premier League to the sport of kings

“I was used to fans,” Felicity Barnard, the chief executive of Ascot, says, recalling earlier roles in charge of commercial operations at Arsenal and West Ham. “At Arsenal, I was used to selling 60,000 shirts at the beginning of every season and that doesn’t happen here, so it’s teaching me how to be nimble and creative with our marketing year-on-year. That just isn’t necessary in football, because you’ve got people who will be with you for the whole of their life.”

Barnard, clearly, is a very quick learner. Since her arrival at Ascot in April 2021, initially as commercial director and then, from January 2025, as CEO – one of the sport’s great offices of state – Britain’s premier racecourse has shaken off any lingering after-effects from the pandemic and seen attendances and prize-money rising year-on-year. Ascot was only British racecourse to attract more than half a million racegoers in 2025, its overall prize fund of £19.4m in 2026 will be another new record, and the King George VI & Queen Elizabeth Stakes in late July will be the track’s first £2m race.

UN Women report says AI, anonymity and lack of effective laws are increasing the risks of engaging in digital spaces

Women in public life are facing growing and increasingly sophisticated forms of online violence, the UN has said, warning that “AI-assisted ‘virtual rape’ is now at the fingertips of perpetrators”.

Female rights campaigners, journalists and other public communicators face a deepening threat due to a combination of artificial intelligence, anonymity and the absence of effective laws and accountability, a report by UN Women found.

As stalwarts Sub Pop and Rough Trade celebrate big anniversaries, insiders speak candidly about the challenges they face. Can streaming ever ensure their survival?

In the late 1980s, the fledgling Seattle record label Sub Pop was a mess. It struggled to pay the phone bill; staff would race to cash their wage cheques before they bounced; and the management couldn’t even cover studio time that had been booked for their artists. “We were a big train wreck,” laughs Megan Jasper , who was then the label’s receptionist. “But the funnest train wreck you’d ever want to be on.” One of the label’s mottos became: “Going out of business since 1988.”

Then, in 1989, Nirvana released their debut album on Sub Pop and saved it. Now, as the company celebrates its 40th anniversary, Jasper is the chief executive. “Is it rewarding and is the label still working? Yes,” she says. “But it’s never been easy – there have always been challenges and now there are more of them. Plus, it’s harder than ever for artists.”

USA retain the world 50+ title, while Germany-Lasker SGK win the 65+ equivalent, with England fourth in both events

England finished out of the medals for the first time in five years in this week’s world senior team championships for over-50s and over-65s, played at Durres, Albania, as the US, fielding a largely former USSR squad, retained the over-50 gold medals, while a nominally German team, which also included a former Soviet star, won the over-65s event.

The US victory was clear but had a controversial aspect in the team’s use of package deals, which are forbidden in Olympiads but still allowed in senior events.

Longitudinal studies are a research jewel, shedding light on motor neurone disease, cot deaths, Alzheimer’s and more. Don’t let the security breach in China put you off joining one

One thing Britain is exceptionally good at is collecting and using health data for research, studying cohorts of people over many decades. A shudder of alarm rippled through the research world at the news this week that UK Biobank’s data had been put up for sale on China’s Alibaba site, with the science minister, Patrick Vallance, saying that more attempts to sell the data in China were expected. Some sensationalised reporting failed to make clear enough that no names, addresses, NHS numbers or other identifiers were included, nor that the Chinese government reacted fast in taking listings down and nothing was sold. But would there be a stampede of participants withdrawing from this or other research programmes?

Biobank dashed to reassure its 500,000 members, and as a longtime volunteer I received a message not only explaining what had happened but listing some of the invaluable research findings and remedies that had already sprung from our data. Remarkably, a representative for Biobank told me that only about 100 people inquired about withdrawing, and after each was spoken to, only 50 actually backed out – pretty impressive. Prof Sir Rory Collins, Biobank’s chief executive, says he will personally speak to any anxious participant.

Polly Toynbee is a Guardian columnist

From the Dome of Discovery to the massive cigar-shaped Skylon, the spectacular cultural showcase was an exhilarating sight in 1951. The Tories demolished those prime exhibits yet, 75 years on, it has a significant legacy

‘We ought to do something jolly … we need something to give Britain a lift.” So said Herbert Morrison, a key figure in Clement Attlee’s postwar Labour government, selling to the cabinet the idea of a Festival of Britain. It kicked off 75 years ago this weekend with a service of dedication at St Paul’s , lasted for five months and consisted of a nationwide celebration of British achievements in the arts and sciences. But did it succeed, and did it leave any lasting legacy?

I say it was a national event but there is little doubt that much of the focus was on an exhibition on London’s South Bank which reclaimed a huge tract of derelict land and attracted 8.5 million visitors. As an 11-year-old schoolboy, I was one of them, making the pilgrimage from Leamington Spa with my family. I still recall the excitement of the Dome of Discovery which was a vast scallop shell containing segments devoted to earth, sea, sky, the polar regions and outer space. The site was also dominated by the massive cigar-shaped Skylon, described as a kind of “luminous exclamation mark”. After a morning on the South Bank we spent an afternoon at the Battersea Park Pleasure Gardens where there was a funfair, a miniature railway and, best of all, a theatre resurrecting old-time music hall. Returning home, I felt as if I had been to an exhausting but exhilarating party.

Stadium sharing, broadcast picks and fun runs can all cause turmoil in upper echelons of women’s game, while clubs worry attendances may fall as a result

Waiting for men’s broadcast picks, dodging local fun runs and even having to avoid clashing with nearby comedy gigs: welcome to the quagmire of trying to arrange the Women’s Super League and WSL 2 schedule.

The fixture list is often a bone of contention for supporters, and organisers face a painstaking task in trying to organise games in venues where other teams get first dibs.

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